ANGKOR PHOTO WORKSHOPS

Application Details & Form

(Much love to alumni Seonggwang Kim for translating this into Korean!)

앙코르 사진 워크숍 참가 희망자 대상으로 신청서를 받습니다.

참가비 무료로 진행되는 워크숍이 오는 2024년 1월 19-28일 캄보디아 시엡립에서 열립니다. 우리는 아시아 국가에 거주하는 21세 이상 지원자들을 환영합니다.

이번 19회 워크숍 행사에는 20명이 선발되며, 6명의 선생님과 이전 참가자들로부터 지도와 도움을 받게 됩니다.

항상 그러했듯, 우리 워크숍은 사진 매체와 관련해 모든 방식과 접근을 환영합니다. 그러나 우리는 세계와 함께하는 사진적 실천이 고무될 수 있게 하는 것이 중요하다고 생각합니다. 이는 지난 20년 동안 사진 분야의 지형이 변화해 온 추이와 관련이 있습니다.

그래서 우리는 워크숍 지원자들이 세계에 대한 관심을 가지고 외부와 연결된 시선을 갖기를 희망합니다. 이 지점에서 지원자들의 외부 세계로 향하는 시선은 기존에 진행하고 있는 실천일 수도 있고 또는 다시 새롭게 돌아가는 계기일 수도 있습니다.

단언컨대, 참가자들이 이번 워크숍에서 수행하는 프로젝트의 형식과 관련해 우리는 어떠한 제한도 한계도 두지 않습니다. 한편, 당신은 많은 것을 얻게 될 것입니다. 참가자 본인의 성장을 비롯해 워크숍 경험 그리고 장소와 사람들을 연결해 내는 작업 등이 그것입니다.

이번 워크숍 기간 동안, 참가자들은 작업의 처음부터 끝까지 전체를 맡고 결과물을 만들어 내야 합니다. 그 작업은 앙코르 사진 축제 프로그램의 일환으로 대중에게 공개됩니다.

참가 지원은 무료이며, 2023년 10월 9일에 마감합니다.

워크숍 참가 지원 요건을 읽은 뒤, 아래 첨부된 온라인 양식에 맞춰 지원하면 됩니다.

질문은 workshop@angkor-photo.com 으로 하실 수 있습니다.

(이번 워크숍은 영어 사용 환경에서 진행됩니다.)

앙코르 사진 워크숍에 대하여.

앙코르 사진 워크숍은 2005년부터 캄보디아 시엡립에서 연례행사로 시작됐으며, 아시아의 신진 사진가들을 위해 사진에 대한 밀도 있는 교육을 제공합니다. 이 워크숍은 수준 높은 교육을 제공하는 데에 방향을 두고 있습니다. 동시에 각각의 참가자들이 예술적인 시각과 견해를 가질 수 있게 안내합니다.

우리는 참가자들이 그들만의 개인적 동기와 정체성이 무엇인지 깨우치게 돕습니다. 그리고 사진 작업이 그들이 직면한 현실과 어떻게 연결되어 있는지에 대해 생각해 볼 수 있는 기회를 제공합니다.

우리는 사회적 공익을 추구하며, 수익을 창출하지 않습니다. 동시에 사진 매체에서의 모든 탐구와 실험을 환영합니다.


Application details

Eligibility & Requirements

  • Open to all photographers of Asian nationalities aged 21 years and above.
  • The workshop is conducted in English language.
  • You will have your own photographic equipment and laptop. Bring what you need to make your work. (Please note that darkroom facilities are not easily available in Siem Reap.)

Schedule
Participants have to be in Siem Reap for the full period of 19 – 28 Jan 2024. (This means arriving on or before 18 Jan, and leaving on or after 29 Jan.)

Expenses & Accommodation

  • There is no application fee, and if selected, the workshops are free.
  • Accommodation will be provided from 19 – 28 Jan 2024. (Shared twin or triple rooms).
  • You will need to prepare enough funds for: travel expenses, visa fees (if applicable), local daily meals and local transport expenses.

Application Form

  • Short Biography (max. 120 words)
  • Brief Project Proposal (max. 200 words)
  • Sample(s) of Previous Work

Short Biography (max. 120 words)
Please just tell us briefly about yourself and your background.

Project Proposal (max. 200 words)
Please give a brief outline of a project you are interested in exploring during the workshops in Siem Reap. This can be a new body of work or a continuation of an existing project. Ideally, the project should be feasible and be created in connection with the environment and/or people of Siem Reap.

(We entreat all participants to consider and understand their responsibilities in approaching the landscape and people of Siem Reap for their project, and also in their interactions before, during and after the image making process.)

Samples of Previous Work
All applicants must upload 15-30 images of your previous work(s) as *stills OR in a single PDF file (max. 10MB). (*Please number the filenames if they should be viewed in sequence.)

For video work, you will have the option to provide an additional link to your video project. Please note this is optional, and you are still required to upload still images.

We encourage you to share examples of your previous work (series, singles or mixed) which helps us better understand you and your photographic practice.

APPLICATION DEADLINE:
9th October 2023 (Midnight, +7GMT)

F.A.Q

Q: Which nationalities can apply?
A: Click to view the list of countries.

Q: Who is going to be my tutor?
A: We will only have one group led collectively by all our workshop tutors and alumni facilitators

Q: I can’t be in Siem Reap for the entire duration. Can I come later or leave earlier?
A: No, we require all participants to be present for the full duration so as to benefit from the complete experience of the event.

Q: I made a mistake with the application. Can I submit another form?
A: Yes. Just let us know at workshops [@] angkor-photo.com. If duplicate applications are found, we will use the most recent one.

Q: What are the Covid-19 travel requirements for entering Cambodia?
A: As of 3 October 2022, the government has lifted all Covid-19 related restrictions and requirements for inbound passengers.

F.A.Q. Extended: From our Live Q&A

The following are questions we received during a Live Q&A session on Instagram. Answers have been edited and summarised for clarity.

Q: Does my proposal have to be based in/about Siem Reap?
A: The proposal can be rooted in any topic or concept, but it still has to be connected with Siem Reap (or Cambodia in general) and the people here. During the process of making work while in Siem Reap, it is important to us that participants to engage with the place and people where the workshop is taking place.

We have had photographers from a wide range of practices join the workshops – documentary, personal, conceptual etc. Regardless of your photographic practice, and your chosen project idea, it is an important part of the workshop that you’re able to find a way to open yourself up to the place and its people while creating your work.

Q: How can I propose something about Siem Reap if I’m not familiar with the place?
A: Siem Reap is not a difficult place to research about online, or if you can, ask people you know who have attended the workshop or have visited Siem Reap. Extended research would also be useful, by referring to academics and their published work. There is no need to be too stressed about becoming an expert overnight, just read and learn what you can, and combine that with you existing areas of interests.

Q: If accepted, do I have to stick to my proposed idea? Or can I change or improve the proposal eventually?
A: Part of the workshop is discussing your ideas and the project you want to do with your tutors and peers, and it is normal that proposals become refined or changed during this process. We expect you to evolve and adapt during your experience here, so it is normal if your approach and ideas change.

Q: Can I propose to continue a project that I have been working on for a long time?
A: Yes. You can do any project or idea, so long as what you create during the workshops is rooted to or connected to Siem Reap or Cambodia.

Q: How ‘long’ does the project I do in Siem Reap have to be?
A: This is not something you have to worry about at this stage. If accepted for the workshops, you will be photographing daily, and with your tutors, you will create an edited series from the work you have made.

Q: Do the samples of previous work (portfolio) I upload have to be related to the proposal I submit?
A: No. Your previous work is a way for us to know you better as an applicant, and does not have to be connected to your proposal. In fact, it is quite common for people to create very different work from what they submitted while at the workshops.

Q: Are selections made based on the previous work (portfolio) we submit, or our proposal?
A: There is no fixed criteria or weight, and both would be important aspects that we look at in combination. They both work together to help us better understand you, your photographic practice, how you approach your work, and how you think.

Q: Can I submit previous work made on film? What if I want to work with film during the workshops, are there darkroom facilities?
A: Yes, for previous work examples you can submit any format of work, including film. However, during the workshops, we prefer you to focus on the act of photography, and using film is discouraged so that you’re able to dedicate as much time as possible to the act of photography.

Q: What are you looking for in samples of previous work (portfolio)? Should I submit a type of genre, or my best pictures?
A: We ask for examples of your previous work because we want to know you better as a practitioner of photography, and what your direction or interests are. When deciding what images to submit, think about what you would like us to know about you, and what would best represent you. It's better to show us who you are, honestly, rather than to strategise to show us what you think we want to see.

Q: Do you require text if we submit a PDF?
A: That is entirely up to you. If you feel text is important, then you should include it!

Q: What is expected from participants during the workshops?
A: We hope participants are able to dive deep into their practice, amd understand themselves more deeply. At the end of the day, our workshops are not only about photography. While the work you create here is important, it is not as crucial as the process and experience you undergo in order to create that work. There will be a lot of hard work, but also a lot of fun!

Q: Is there a specific number of participants per country every workshop?
A: No, we do not have a quota of any sorts.

Q: Do we need to be a professional, or to have published work?
A: No, there is no criteria about this. We have had participants from a wide range of backgrounds, from beginners to full-time photographers.

Q: Can we use camera phones during the workshop?
A: While we believe that photographers should and can use any device to create their work, phone cameras included, we do not think that it would be suitable to use phone cameras at our workshops. An important part of our workshops is cultivating an understanding of the responsibilities attached to being in a position of photographing others, as well as that of being an author or witness. Due to the ‘normality’ of using the phone as a camera in our digital age, it inadvertently allows the photographer to avoid those responsibilities, becoming a spectator instead of a proper actor in the process.

Q: Do I have to 'finish' the project during the workshops?
A: You will work with your tutors to create a cohesive series that can be shared/shown at the end of the workshops. However, many of our alumni go on to continue developing their projects even after the workshops. 

Q: What is really going to happen at the workshops?
A: There will be morning group sessions for discussions about each other’s work, as well as another session later in the day with a smaller group or one-on-one for more detailed reviews and advice. During the time outside of these sessions (before, in between, after), participants will be expected to be creating work as much as possible. Towards the end of the workshops, you will be editing and sequencing your work, under the guidance of your tutors, to create a cohesive series that will be shared with the public.

You will get feedback, questions, advice, and ideas; you might come to look at and think about photography differently, and find yourself trying different approaches or methods. But beyond all this, a big part of what happens is up to the individual – the energy you are able to bring, and what you’re willing to do for your work.